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The layer mask on the Plants layer is masking out a large chunk of the layer to allow for that text on the right side of the design. The masking means that the text doesn t have to compete with the patterns that would otherwise sit underneath it. Meanwhile, the layer mask on the Church layer masks out a small part of the branches to produce a more natural, ragged effect. If you decide that you want the branches in the Church layer back, all you have to do is paint white on its layer mask and they ll return. By the same token, if you want more of the Plants layer to show through, you could paint gray on the right side of its layer mask to reveal more plants beneath the text. The clipping mask clips the illustrative elements to the outline of the Box shape layer. You can freely reposition the illustrations within that shape, because both images in the two illustration layers remain intact; they re merely masked off.

You re finally ready for your final rendering. Preparing to render can be a long process. At this time, you may want to look at some of the more specialized settings for rendering in the Advanced Render Settings palette, as shown in Figure 25.16. To open the Advanced Render Settings palette (the RPREF command), choose Render tab Render panel and click the dialog box launcher at the right end of the panel s title bar. Here I highlight some of the more common settings. FIGURE 25.16

n Text. If there isn t enough room for the text and the arrows between the extension lines, the text goes outside and the arrows go between them. Figure 15.15 shows a dimension using this option. FIGURE 15.15

satisfies c l ( i ) = c l ( i - l ) E (1 - pu2)' (a) Show that ~ ( i ) (b) Conclude further that c3(i) satisfies c3(i) = c3(i - 1) therefore, it grows unbounded.

as well as En =diag{eb(n),e:(n),

Live View processes the page in the chosen server model. If the page requires variables, such as search criteria, to run properly, the Live View feature enables you to set such values as needed. Although a preliminary discussion of Live View was presented in 20, this chapter covers all the necessary details for using both basic and advanced Live View capabilities. Live View is a terrific timesaving feature, but you can t rely on it totally for testing your Web application. You still need to preview the page in various browsers to ensure cross-browser compatibility. The final section of this chapter is dedicated to Dreamweaver s Preview In Browser feature and its relationship to your testing server.

Many cities and states offer help in getting business loans. But BWBs are often unaware that such help exists in their area because: Loan availability is not well publicized. Why Because the agency or group offering loans has a small (or no) budget for advertising. Managers of the loan programs assume that word will get out to BWBs because their loan offer is so good.

Scaling a 3D object in Photoshop is very similar to using the Transformation tools to scale an image within Photoshop. By selecting the Scaling tool, you can click and drag across your object to make it bigger or smaller. As you change the size of your 3D object by using the Scale tool, the proportions of the object are automatically maintained. By holding down the Ctrl key while you click and drag, you can adjust the object nonproportionally by making it taller or shorter. If you hold the Shift key down, you can make your object wider or narrower. Interestingly enough, the Scale tool is an exception to the guidelines established for the 3D object view earlier. If you change the view of your object while you are scaling it, the Ctrl key still makes the object taller or shorter and the Shift key makes the object wider or narrower. Look at how this works:

function fileWork(theFile) { var isFile = DWfile.exists(theFile); // does theFile exist if (isFile) { alert(DWfile.read(theFile)); // yes: display it in an alert box } else { // no: create it and display msg DWfile.write(theFile, File Created by DWfile ); } }